Publications_

Books_

 

  • Kort og godt om computeren og romanen, Copenhagen: Dansklærerforeningens Forlag, 2007. [In short: The Computer and the Novel, teaching material for the Danish Gymnasium commissioned by The Organization of Danish Teachers’ Press].

Articles_

  • ‘Surveillance Narratives: From Lack to Overload in: Daniel Riha (ed.), Visions of Humanity in Cyberculture, Cyberspace and Science Fiction, Oxford: Interdisciplinary Press, forthcoming 2009.

 

  • ‘Attention! Signs of the City between Automaticity and Conscious Attentionin: Haus der Kulturen der Welt, Stefan Horn, Rudolf Netzelmann and Peter Winkels (eds.) Signs of the City: Metropolis Speaking, Berlin: Jovis Verlag, 2009, p.149-151.

 

  • ‘The Novel as Database: The Computer as Motif and Form in Thomas Hettche’s Nox’ in: Gunnar Foss and Yngve Sandhei Jacobsen (eds.), Carriages and Computers: Aesthetic Technologies from the 18h to the 21st Century, Trondheim: Tapir Akademisk Forlag, 2009, p.205-218.  

 

  • ‘Fiction in a Digital Age: Time, Space, Plot’ in: Daniel Lambauer, Abigail Dunn and Marie Isabel Schlinzig (eds.), From Grail’s Castle to Cyberspace: Time and Space in German Literature, Theory and Film, München: Meidenbauer, 2008, p.145-159.

 

  • ‘Fiction in a Digital Age: Grass, Hettche, Jirgl’ in: Friends Newsletter 2007, [abbreviated version of the Sylvia Naish Research Student Lecture given 22 February 2007 published in the annual newsletter of ‘Friends of Germanic Studies at the IGRS’].

 

  • ‘Cybercitizen: Urban identity in net art’ in: Christian J. Emden and David Midgley (eds.), Imagining the City, vol. 1: The Art of Urban Living, Oxford: Lang 2006, p.229-245.

 

  • ‘Kosmetik/kosmetisch’ in: Metzler Lexicon Ästhetik, Stuttgart: Metzler Verlag 2006.

 

 

  • ‘Virtual Memory in Günter Grass’s Im Krebsgang’, German Life and Letters, Blackwell, April 2004, p.206-218.

 

  • ‘Topographies of Memory: Walter Benjamin and Daniel Libeskind' in: Christian J. Emden and David Midgley (eds.), Fragile Traditions - The German Cultural Imagination since 1500: Volume 1, Historical Consciousness and Cultural Memory, Oxford: Lang 2004, p.231-252.

 

  • ‘The Irreducibility of Space - Labyrinths, Cities, Cyberspace’, Diacritics vol. 33 numbers 3-4, The Johns Hopkins University Press, 2003, p.151-172.

 

 

Reviews and encyclopaedic entries_

  • Review of Lutz Koepnick and Erin McGlothlin (eds), After the Digital Divide? German Aesthetic Theory in the Age of New Media, in: Journal of European Studies, volume 40, no.2, forthcoming 2010.